pubblicato da Pan Macmillan
First published in 1999, The Edge of Reason is the sequel to Helen Fielding's number one best-selling Bridget Jones's Diary. It has been turned into a film starring Renee Zellweger, Colin Firth and Hugh Grant. Bridget Jones: The Edge of Reason is followed by Bridget Jones: Mad About the Boy. The Wilderness Years are over! But not for long. At the end of Bridget Jones's Diary, Bridget hiccuped off into the sunset with man-of-her-dreams Mark Darcy. Now, in The Edge of Reason, she discovers what it is like when you have the man of your dreams actually in your flat and he hasn't done the washing-up, not just the whole of this week, but ever. Lurching through a morass of self-help-book theories and mad advice from Jude and Shazzer, struggling with a boyfriend-stealing ex-friend with thighs like a baby giraffe, an 8ft hole in the living-room wall, a mother obsessed with boiled-egg peelers, and a builder obsessed with large reservoir fish, Bridget embarks on a spiritual epiphany, which takes her from the cappuccino queues of Notting Hill to the palm - and magic-mushroom - kissed shores of . . . Bridget is back. V.g.
'Bridget Jones is no mere fictional character, she's the Spirit of the Age' Evening Standard 'Could Bridget Jones: The Edge of Reason really be as funny as its predecessor? The answer is yes . . . Bridget, the original Singleton, is on ripping form in the sequel . . . But she is far more than the patron saint of single women: she is everyman, or rather, everyperson' Express 'Helen Fielding has created the most enchanting heroine for the millennium' Jilly Cooper 'Austen, as before, in Fielding's model, radically but affectionately updated . . . There is, to be honest, a bit of Bridget Jones in a lot of the women and men of a certain generation, and to have those aspects so affectionately rendered, and both ridiculed and subversively celebrated, is a welcome treat' Times Literary Supplement 'Bridget Jones's phenomenal success is not just because of her creator's brilliant wit, comic timing and social observation, but because she captures what - alas - it is like to be female . . . I laughed out loud many time while reading The Edge of Reason. Fielding is excellent at a mixture of perception and comedy, capturing thoughts everyone has but hasn't actually expressed' Daily Mail 'Fielding has produced a genuinely original fictional voice. Like Anita Loos before her or, perhaps more pertinently, E. M. Delafield in her Diary of a Provincial Lady, she has created a devastatingly funny parody of her life and times . . . Any woman of a certain age can recognize elements of Bridget in herself and will have enormous fun trying to spot them in the book' Daily Telegraph 'If you loved Bridget Jones's Diary, you'll love this; there is no diminution of the freshness or fun, or of Fielding's underlying intelligence. Success has not spoiled her - she has simply gained in confidence and aplomb . . . Fielding has a seam here she can mine endlessly until she herself gets bored, which I dare say will be long before her readers do' Mail on Sunday 'Bridget is probably the most successful comic creation of this decade, the most controversial and talked-about female fictional character since Lolita . . . Bridget terminology has slipped into common parlance . . . She is still on superb form; get someone to buy you this book for Christmas, read it through in one afternoon, hoot out loud at the many v. good bits' Stephanie Merritt, Observer 'Funnier and more accomplished than the original diary, and in fact takes recognition humour into a new dimension . . . A glorious read, and there is a laugh on every page' Sunday Times