Complete Romance Humor Horror of May Sinclair

May Sinclair was an innovator of the modern thriller fiercely admired by H.P. Lovecraft; a late Victorian who was also a precursor to Virginia Woolf. She combines the traditional ghost story with a twisted psychological approach incorporating the revelations of Freud and Einstein. Two lovers are doomed to repeat their empty affair for the rest of eternity... A female telepath is forced to face the consequences of her actions... The victim of a violent murder has the last laugh on his assailant... An amateur philosopher discovers that there is more to Heaven than meets the eye....

Contents

The Divine Fire

Superseded

The Belfry

The Return of the Prodigal

The Creators

Anne Severn and the Fieldings

The Immortal Moment

The Tysons

The Flaw in the Crystal

Mr. Waddington of Wyck

Tree of Heaven-
One of the most heart-breaking of all World War I novels, this family epic was written in the midst of the War itself, and shows the intense emotion generated in ordinary lives by that tragedy. May Sinclair astonishingly weaves multiple themes into her narrative, seamlessly drawing from the great movements of her day: suffrage, sexual liberation, artistic revolt, war, and pacifism. Her most powerful metaphor throughout the novel is that of the Vortex: the dangerously irresistible force of human masses, how to resist it and (much more difficult) how to participate in it without losing one's individual autonomy.

Three Brontës-
Fascinated as she was by the lives of the Brontë siblings, May Sinclair loosely based her subtly sensual, quietly insurrectionary 1914 novel The Three Sisters on the Haworth moor milieu of the three literary Brontë sisters. Alice, Gwenda, and Mary Cartaret are the daughters of the Vicar of Garth, an abusive father with rigid, selfish expectations for female behavior. Hope of rescue seems to dawn in the person of an idealistic young doctor in the village, but this is no Austen romance. Described with Edwardian restraint, it is still sexual passion that is the underlying theme of the story: the rebellion of human sensuality in almost every major character in the story against the artificial constraints of conventional Society and Religion. Sinclair, herself a fascinating hybrid of Victorian and modern, shows the desperate, inertial ennui inherent in the lives of unmarried late-Victorian women dependent on their male guardians but fired by dreams and desires of their own. Sinclair's gently seditious fiction is always deeply imbued with philosophy as well as human psychology, giving it rich layers of interest.

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