Representations of first contactthe first meetings of European explorers and Native Americanshave always had a central place in our nation's historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national mythsand how those myths acquired different meanings at different points in our nation's history.
First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth-century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studiespaintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and RussellElliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. Yet others communicate more nuanced messages that might surprise contemporary viewers.
Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.
Generi Arte Beni culturali e Fotografia » Storia dell'arte » Espressionismo, Surrealismo e movimenti artistici dal 1900 » Storia dell'arte, Alti titoli » Temi e soggetti specifici nell'arte , Storia e Biografie » Storia delle Americhe » Storia militare
Editore University Of Oklahoma Press
Formato Ebook con Adobe DRM
EAN-13 9780806168227 9780806168227