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The burgeoning lesbian and feminist movements of the '70s and '80s created an impetus to form more independent and equitable social and cultural institutionsbookstores, publishers, health clinics, and moreto support the unprecedented surge in women's arts of all kinds. Olivia Records was at the forefront of these models, not only recording and distributing women's music but also creating important new social spaces for previously isolated women and lesbians through concerts and festivals. Ginny Z. Berson, one of Olivia's founding members and visionaries, kept copious records during those heady daysdays also fraught with contradictions, conflicts, and economic pitfalls. With great honesty, Berson offers her personal take on what those times were like, revisiting the excitement and the hardships of creating a fair and equitable lesbian-feminist business modelone that had no precedent.
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