Pfitz

Pfitz is a surprisingly warm and likeable book, a combination of intellectual high-wire act and good traditional storytelling with a population of lovers and madmen we do care about, despite their advertised fictionality. Certainly Crumeyis narrative gymnastics have not affected his ability to create strong, fleshy characters, and none more fleshy, more fleshly, than Frau Luppen, Schenckis middle-aged landlady, a great blown rose of a woman who express her affection for her lodger by feeding him bowls of inedible stew. Andrew Miller in The New York Times "Rreinnstadt is a place which exists nowhere - the conception of a 18th century prince who devotes his time, and that of his subjects, to laying down on paper the architecture and street-plans of this great, yet illusory city. Its inhabitants must also be devised: artists and authors, their fictional lives and works, all concocted by different departments. When Schenck, a worker in the Cartography Office, discovers the 'existence' of Pfitz, a manservant visiting Rreinnstadt, he sets about illicitly recreating Pfitz's life. Crumey is a daring writer: using the stuff of fairy tales, he ponders the difference between fact and fiction, weaving together philosophy and fantasy to create a magical, witty novel." Sunday Times Built out of fantasy, Andrew Crumey's novel stands, like the monumental museum at the centre of its imaginary city, as an edifice of erudition." Andrea Ashworth in The Times Literary Supplement

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