Finally available, a high quality book of the original classic edition of Russia- Its People and Its Literature. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by Emilia Pardo Bazán, which is now, at last, again available to you.
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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Russia- Its People and Its Literature:
Look inside the book:
Turning from the authoress to the work, I will only add that I hope the American reader may find it to be what it seemed to me as I read it in Spanish,an epitome of a vast and elaborate subject, and a guide to a clear path through this maze which without a guide can hardly be clear to any but a profound student of belles-lettres; for classicism, romanticism, and realism are technical terms, and the purpose of the modern novel is only just beginning to be understood by even fairly intelligent readers. ...The modern phenomenon of the resurrection of local literatures, and the reappearance of forgotten or amalgamated races, bears no analogy to this Russian movement; for apart from the fact that the former represents a protest by race individualism against dominant nationalities, and the latter, on the contrary, bears the seal of strong unity of sentiment (which distinguishes Russia), it must be borne in mind that local literatures are reactionary in themselves,restorers of traditions more or less forgotten and lost sight of,while Russian literature is an innovation, which accepts the past, not as its ideal, but as its root.
About Emilia Pardo Bazán, the Author:
Pardo Bazán was born in A Coruña, a city in the region of Galicia, Spain, and the culture of that area was incorporated into some of her most popular novels, including Los pazos de Ulloa ('The Manors of Ulloa') and its sequel, La madre naturaleza ('Mother Nature'). ...Probably the best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family, as notable for its portraits of types like Nucha and Julián as for its creation of characters like those of the political bravos, Barbacana and Trampeta.
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