Storia e Critica letteraria

The Unconscious

Anthony Easthope

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A Gentleman Pens a Note

John Bridges ,  Bryan Curtis

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A Gentleman Raises His Glass

John Bridges ,  Bryan Curtis

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The Origins of the English Novel, 16001740

Michael McKeon

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Nothing Remains the Same

Wendy Lesser

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The Complete Poetry of Percy Bysshe Shelley

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Mary Shelley in Her Times

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Romanticism at the End of History

Jerome Christensen

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Intertextuality and the Reading of Roman Poetry

Lowell Edmunds

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Death of a Discipline

Gayatri Chakravorty Spivak

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Vernon Lee

Vineta Colby

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The Sublime in the English Gothic Novel: Horace Walpoles The Castle of Otranto

Carolin Kollwitz

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T.S. Eliot's Civilized Savage

Laurie MacDiarmid

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The City Trilogy

Hsi-kuo Chang

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The Consolation of Philosophy

Ancius Boethius

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Objective narrative, irony and sympathy in Flaubert's 'Un Coeur simple'

Rebecca Steltner

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About: Kazuo Ishiguro: The Remains of the Day

Stefanie Grill

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Shakespeare's 'Macbeth' - Analysis of the influence of evil on the mainprotagonist Macbeth

Jessica Hecht

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The Great War and the Language of Modernism

Vincent Sherry

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What to Do If a Bird Flies in the House

Elizabeth Hurchalla ,  Elizabeth Nix

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Violet America

Jason Arthur

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Symbolism in William Shakespeare's As You Like It

Benjamin Foitzik

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Dickensian characters - real or nil? An analysis of characters in Our Mutual Friend

Benjamin Foitzik

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Dorian Gray and Aestheticism

Benjamin Foitzik

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