Decadence: Henry Sidgwick Memorial Lecture

I must begin what I have to say with a warning and an apology. I must warn you that the present essay makes no pretence to be an adequate treatment of some compact and limited theme; but rather resembles those wandering trains of thought, where we allow ourselves the luxury of putting wide-ranging questions, to which our ignorance forbids any confident reply. I apologise for adopting a course which thus departs in some measure from familiar precedent. I admit its perils. But it is just possible that when a subject, or group of subjects, is of great inherent interest, even a tentative, and interrogative, treatment of it may be worth attempting. My subject, or at least my point of departure, is Decadence. I do not mean the sort of decadence often attributed to certain phases of artistic or literary development, in which an overwrought technique, straining to express sentiments too subtle or too morbid, is deemed to have supplanted the direct inspiration of an earlier and a simpler age. Whether these autumnal glories, these splendours touched with death, are recurring phenomena in the literary cycle: whether, if they be, they are connected with other forms of decadence, may be questions well worth asking and answering. But they are not the questions with which I am at present concerned. The decadence respecting which I wish to put questions is not literary or artistic, it is political and national. It is the decadence which attacks, or is alleged to attack, great communities and historic civilisations: which is to societies of men what senility is to man, and is often, like senility, the precursor and the cause of final dissolution. It is curious how deeply imbedded in ordinary discourse are traces of the conviction that childhood, maturity, and old age, are stages in the corporate, as they are in the individual, life. "A young and vigorous nation," "a decrepit and moribund civilisation"phrases like these, and scores of others containing the same implication, come as trippingly from the tongue as if they suggested no difficulty and called for no explanation. To Macaulay (unless I am pressing his famous metaphor too far) it seemed natural that ages hence a young country like New Zealand should be flourishing, but not less natural that an old country like England should have decayed. Berkeley, in a well-known stanza, tells how the drama of civilisation has slowly travelled westwards to find its loftiest development, but also its final catastrophe, in the New World. While every man who is weary, hopeless, or disillusioned talks as if he had caught these various diseases from the decadent epoch in which he was born. But why should civilisations thus wear out and great communities decay? and what evidence is there that in fact they do? These questions, though I cannot give to them any conclusive answers, are of much more than a merely theoretic interest. For if current modes of speech take decadence more or less for granted, with still greater confidence do they speak of Progress as assured. Yet if both are real they can hardly be studied apart, they must evidently limit and qualify each other in actual experience, and they cannot be isolated in speculation.

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