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Eduardo Urbina
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Bruce R. Burningham
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Emilio Martínez Mata
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Ricardo Castells
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Rachel Schmidt
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Stephen Hessel
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S. Alleyn Smythe
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J. A. Garrido Ardila
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Victor Fet
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Steven Ritz-Barr
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Fernando González Moreno
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Tatevik Gyulamiryan
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Brooklyn College William Childers
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Christopher Newport University Margarita Marinova
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Christopher Newport University Scott Pollard
pubblicato da
University Press Copublishing Division
This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world's greatest literary hero takes place in film, theatre, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject. For the first time, Don Quixote is discussed from the point of re-accentuation, i.e. having in mind one of the key Bakhtinian concepts that will serve as a theoretical framework. A primary objective was therefore to articulate, relying on the concept of re-accentuation, that the history of the novel has benefited enormously from the re-accentuation of Don Quixote helping us to shape countless iconic novels from the eighteenth century, and to see how Cervantes's title character has been reinterpreted to suit the needs of a variety of cultures across time and space.
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