Frivolities - Especially Addressed to Those Who Are Tired of Being Serious - The Original Classic Edition

Finally available, a high quality book of the original classic edition of Frivolities - Especially Addressed to Those Who Are Tired of Being Serious. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by Richard Marsh, which is now, at last, again available to you.

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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Frivolities - Especially Addressed to Those Who Are Tired of Being Serious:

Look inside the book:

I come here in answer to an advertisement, at great personal inconvenience to myself, and I am shown into a room with a number of most extraordinary characters; and one person, who, I am sure, was the worse for drink, asks me the most impertinent questions, and when I appeal for protection to another individual, he tells me that he has enough to do in attending to his own business without interfering with other people's, and I have positively to ring the bell twice before I can receive any proper attention.' ...'As for me, I'm not going through the farce of describing the purse I lost, because I know very well you haven't got it; but I'll tell you this--I've come all the way from Hackney, and I've wasted a day, and I don't mean to leave this house till you've paid me my expenses. ...He wanted me to pin one number to the lot of them; and as I was a-arguing with him, and tryin' to understand how he made out as I could do that, seeing as how the pins was little ones, and the numbers not large ones neither, a lot of other gents came up, and this here young gent he got quite red in the face, and he snatched a number out of my hand and he walked off, and he left me staring.

About Richard Marsh, the Author:

A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn of the 19th to 20th century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late 19th-century novels (those of Wilkie Collins and Stoker, for example) to create suspense and to confuse gender boundaries.

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