Last Days of Pompeii P1

Pompeii was the miniature of the civilization of that age. Within the narrow compass of its walls was contained, as it were, a specimen of every gift which luxury offered to power. In its minute but glittering shops, its tiny palaces, its baths, its forum, its theatre, its circusin the energy yet corruption, in the refinement yet the vice, of its people, you beheld a model of the whole empire. It was a toy, a plaything, a showbox, in which the gods seemed pleased to keep the representation of the great monarchy of earth, and which they afterwards hid from time, to give to the wonder of posteritythe moral of the maxim, that under the sun there is nothing new.

Crowded in the glassy bay were the vessels of commerce and the gilded galleys for the pleasures of the rich citizens. The boats of the fishermen glided rapidly to and fro; and afar off you saw the tall masts of the fleet under the command of Pliny. Upon the shore sat a Sicilian who, with vehement gestures and flexile features, was narrating to a group of fishermen and peasants a strange tale of shipwrecked mariners and friendly dolphinsjust as at this day, in the modern neighborhood, you may hear upon the Mole of Naples.

Drawing his comrade from the crowd, the Greek bent his steps towards a solitary part of the beach, and the two friends, seated on a small crag which rose amidst the smooth pebbles, inhaled the voluptuous and cooling breeze, which dancing over the waters, kept music with its invisible feet. There was, perhaps, something in the scene that invited them to silence and reverie. Clodius, shading his eyes from the burning sky, was calculating the gains of the last week; and the Greek, leaning upon his hand, and shrinking not from that sunhis nation's tutelary deitywith whose fluent light of poesy, and joy, and love, his own veins were filled, gazed upon the broad expanse, and envied, perhaps, every wind that bent its pinions towards the shores of Greece.

'Tell me, Clodius,' said the Greek at last, 'hast thou ever been in love?'

'Yes, very often.'

'He who has loved often,' answered Glaucus, 'has loved never. There is but one Eros, though there are many counterfeits of him.'

'The counterfeits are not bad little gods, upon the whole,' answered Clodius.

'I agree with you,' returned the Greek. 'I adore even the shadow of Love; but I adore himself yet more.'

'Art thou, then, soberly and honestly in love? Hast thou that feeling which the poets describea feeling that makes us neglect our suppers, forswear the theatre, and write elegies? I should never have thought it. You dissemble well.'

'I am not far gone enough for that,' returned Glaucus, smiling, 'or rather I say with Tibullus

He whom love rules, where'er his path may be, Walks safe and sacred.

In fact, I am not in love; but I could be if there were but occasion to see the object. Eros would light his torch, but the priests have given him no oil.'

'Shall I guess the object?Is it not Diomed's daughter? She adores you, and does not affect to conceal it; and, by Hercules, I say again and again, she is both handsome and rich. She will bind the door-posts of her husband with golden fillets.'

'No, I do not desire to sell myself. Diomed's daughter is handsome, I grant: and at one time, had she not been the grandchild of a freedman, I might have... Yet noshe carries all her beauty in her face; her manners are not maiden-like, and her mind knows no culture save that of pleasure.'

'You are ungrateful. Tell me, then, who is the fortunate virgin?'

'You shall hear, my Clodius. Several months ago I was sojourning at Neapolis, a city utterly to my own heart, for it still retains the manners and stamp of its Grecian originand it yet merits the name of Parthenope, from its delicious air and its beautiful shores. One day I entered the temple of Minerva, to offer up my prayers, not for myself more than for the city on

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