Jill Forbes examines how, at a time of crisis, the film reimagined the history of France. Although Les Enfants du paradis is escapist, even fantastic, Forbes finds in it a radical, counter-cultural sensibility concerned with destabilising social hierarchies and prescribed sexual roles and questioning the opposition between life and art. Vibrant, joyous but also touched by melancholy, the film combines the traditions of high culture and popular theatre to remarkable effect.