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Logan is a radical - I mean RADICAL - writer whose influence on an art critic who happens to be an acquaintance of his one Martin Thurber is more than one might expect for two such different characters, and the consequences of it are certainly not to the tastes of Thurber's publishers! But it has a peculiar and ultimately salutary effect on his personal relations with a certain Greta Ryan, who also figures prominently in this most comic of John O'Loughlin's loose trilogy of novels revolving around the theme of modern and particularly abstract art, 'modern art' for Logan being virtually synonymous with 'abstract', or the triumph of psyche over soma, rather than with any degenerate representational art. The cover, we trust, is appropriately abstract.
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