The Cid Campeador A Historical Romance - The Original Classic Edition

Finally available, a high quality book of the original classic edition of The Cid Campeador A Historical Romance. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by Ant??nio de Trueba, which is now, at last, again available to you.

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A good son, he avenges the insults offered to his father by bravely fighting with the Count of Gormaz: a good cavalier and faithful lover, he gives his hand and heart to the daughter of the man whom he had slain in fair combat: a good monarchist, he risks the anger of King Alfonzo by compelling him to take an oath that he was not guilty of a crime which would stain the throne of Fernando the Great: a good soldier and a good vassal, he conquers, with his invincible sword, hostile realms and Moorish kings, and lays at the feet of his Pg vi sovereign, who had unjustly banished him, the spoils which he had won and the countries of which he had made himself master: a good patrician, loving the glory and the preponderance of his native land, he proceeds to Rome, enters the Church of St. ...Peranzures, Arias Gonzalo, and Diego Lainez bent their knees and kissed the hand of the king, in order to thank him for the great favours which he had conferred on them, as was their duty as good and grateful subjects; De Gormaz, however, when his turn came, gave loose reins to the anger which had been accumulating in his heart whilst the other cavaliers were being thus addressed, especially De Vivar, who appeared to him to have been unjustly favoured by the king, whose coldness towards himself he attributed to the evil counsels of the honoured old man, who indeed was far from deserving such a suspicion.

About Ant??nio de Trueba, the Author:

To earn his daily bread he discharged the duties of a clerk in a small commercial house, but all the while he beguiled his leisure and his moments of regret by writing little poems and tales redolent of the yearnings and sympathies of a Basque transplanted to the busy cosmopolitan center. ...His popularity was fixed by the appearance of his first collection of lyrics, the Cantares (Madrid, 1852), and for the next eleven years he was absorbed by journalistic work, the best of his contributions being issued under the titles of Cuentos populares (1862), Cuentos de color de rosa (1864), and Cuentos campesinos (1865).

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