The Collaborators

Why shouldn't we collaborate? said Henley in his most matter-of-fact way, as Big Ben gave voice to the midnight hour. "Everybody does it nowadays. Two heads may be really better than one, although I seldom believe in the truth of accepted sayings. Your head is a deuced good one, Andrew; butnow don't get angryyou are too excitable and too intense to be left quite to yourself, even in book-writing, much less in the ordinary affairs of life. I think you were born to collaborate, and to collaborate with me. You can give me everything I lack, and I can give you a little of the sense of humour, and act as a drag upon the wheel." "None of the new humour, Jack; that shall never appear in a book with my name attached to it. Dickens I can tolerate. He is occasionally felicitous. The story of 'The Dying Clown,' for instance, crude as it is it has a certain grim tragedy about it. But the new humour came from the pit, and should goto the Sporting Times." "Now, don't get excited. The book is not in proof yetperhaps never will be. You need not be afraid. My humour will probably be old enough. But what do you y to the idea?" Andrew Trenchard sat for awhile in silent consideration. His legs were stretched out, and his slippered feet rested on the edge of the brass fender. A nimbus of smoke surrounded his swarthy features, his shock of black hair, his large, rather morose, dark eyes. He was a man of about twenty-five, with an almost horribly intelligent face, so observant that he tried people, so acute that he frightened them. His intellect was never for a moment at rest, unless in sleep. He devoured himself with his own emotions, and others with his analysis of theirs. His mind was always crouching to spring, except when it was springing. He lived an irregular life, and all horrors had a subtle fascination for him. As Henley had remarked, he possessed little sense of humour, but immense sense of evil and tragedy and sorrow. He seldom found time to calmly regard the drama of life from the front. He was always at the stage-door, sending in his card, and requesting admittance behind the scenes. What was on the surface only interested him in so far as it indicated what was beneath, and in all mental matters his normal procedure was that of the disguised detective. Stupid people disliked him. Clever people distrusted him while they admired him. The mediocre suggested that he was liable to go off his head, and the profound predicted for him fame, tempered by suicide

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