The Divine Comedy of Dante Alighieri - The Inferno - The Original Classic Edition

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Boccaccio, his earliest biographer, swells out his Life, as the earlier commentators on the Comedy do their notes, with what are plainly but legendary amplifications of hints supplied by Dante's own words; while more recent and critical writers succeed with infinite pains in little beyond establishing, each to his own satisfaction, what was the order of publication of the poet's works, where he may have travelled to, and when and for how long a time he may have had this or that great lord for a patron. ...With the Pope for overlord they would at least have a master who was an Italian, and one who, his title being imperfect, would in his own interest be led to treat them with indulgence; while, in the permanent triumph of the Emperor, Italy must have become subject and tributary to Germany, and would have seen new estates carved out of her fertile soil for members of the German garrison.

About Dante Alighieri Dante Alighieri, the Author:

An early outside indication that the poem was underway is a notice by Francesco da Barberino, tucked into his Documenti d'Amore (Lessons of Love), written probably in 1314 or early 1315; speaking of Virgil, Francesco notes in appreciative words that Dante followed the Roman classic in a poem called 'Comedy' and that the setting of this poem (or part of it) was the underworld; i.e., hell. ...Dante's other works include Convivio ('The Banquet'), a collection of his longest poems with an (unfinished) allegorical commentary; Monarchia, a summary treatise of political philosophy in Latin which was condemned and burned after Dante's death by the Papal Legate Bertrando del Poggetto, which argues for the necessity of a universal or global monarchy in order to establish universal peace in this life, and this monarchy's relationship to the Roman Catholic Church as guide to eternal peace; De vulgari eloquentia ('On the Eloquence of Vernacular'), on vernacular literature, partly inspired by the Razos de trobar of Raimon Vidal de Bezaudun; and, La Vita Nuova ('The New Life'), the story of his love for Beatrice Portinari, who also served as the ultimate symbol of salvation in the Comedy.

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