In Carlos Rojasâ€s imaginative novel, the Spanish poet Federico GarcÃa Lorca, murdered by Francoist rebels in August 1936, finds himself in an inferno that somehow resembles Breughelâ€s Tower of Babel. He sits alone in a small theater in this private hell, viewing scenes from his own life performed over and over and over. Unexpectedly, two doppelgÃngers appear, one a middle-aged Lorca, the other an irascible octogenarian self, and the poet faces a nightmarish confusion of alternative identities and destinies.