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'The Promise of Kingdom Come' extends the cyclical style (metaphysical) of John O'Loughlin's aphoristic philosophizing beyond where it leaves off with 'The Totality of Nature' (2000), investigating the dichotomy between sensuality and sensibility from a gender-specific standpoint in relation to his usual distinctions between will and spirit on the one hand, and ego and soul on the other, and outlining the terms of salvation and damnation for both males and females alike.
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