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My satires, or dark-comedies, have lots of frustrating realism, fanciful fantasy, biting metaphors, and always, always romance. Here are some of my best:
Brighton and Hove: Hiding in a walled compound with survivors decades after a pandemic wiped out most of humanity, a decent man who tends court for the despotic leader seeks meaning to it all by switching places with a rebel hero he was forced to lock up.
A Fine Day for a Beheading: When the CIA intercepts a terrorist video of a radio-controlled model airplane, the CIA sends their top experts, a beautiful strategist and her clandestine lover, an Arab-American analyst, to Riyadh in an effort to head off a plot to override the autopilots on civilian aircraft, unaware that the target is something with far graver international repercussions.
None of the Above: Campaign co-chairs who are falling in and out of love try to win the election for their anything-but-cliché candidate while fighting off opponents who include a sensational sports star and an obscure neophyte.
The Rewilders: Things go magnificently awry when a conservationist leads her team of government ecologists to re-introduce near-extinct species back into the wild.
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