Tin-n-Ouahr

This is a summary presentation of "Tin-n-Ouahr", a novel, proposed in six volumes, which can be examined separately or in full, without altering the pleasure of reading. This book proposes reading the prologue and the first chapters, which define the plot and its afterword explains the theme.These preliminaries augur a general literature, sometimes with an autobiographical connotation, at others times with romance ingredients, immersions in the political, sociological and psychological world of a country, certainly not prosaic, also not secular, strongly defending the universal ethic, built relentlessly by the positive humanity to elevate the dignity of the man towards the tallest pedestals.

AUTHOR'S BIOGRAPHY DEDICATED BY ONE OF HIS FRIENDS, NOW DISAPPEARED :

"Muhammad Jamal El Kadiri was born in 1953. Political scientist of academic background, he is came early to writing, later at publication, by taste and quality requirement. His novels are talented, but hards and incisives. He depicts with striking reality the vicissitudes of the condition of intellectuals in his country.
His [literary time] leaves the reader a strange feeling of duration, which captivates and helds in suspense until the last sentence."

FOREWORD
If the characters, facts and chronological of this work largely correspond to authentically lived situations, they are nevertheless novel creations.
Thus, dialogues, marginal scenes, descriptions and novelistic thoughts, necessary for any literary construction, have been voluntarily added by the author. Names of persons, military acronyms, and most of the names of places have been deliberately modified, their geographical location hidden. Any foreign resemblance in the text would be purely fortuitous, and could not therefore be ambiguous.

MANUSCRIPTS AT READING
My texts do not claim to have the physico-chemical consistency of the diamond, which is a rare mineral, at beauty always singular. If it symbolizes purity, I dare claim somewhat in my writing process, you are well aware, dear readers, that nothing can resist at the erosion and relentlessness of time, not even a rare stone, unlike the myth. However, my quest to want fix in time my writing has been a constant in my novel research project, registering in a dialectic perhaps containing elements of plastic and artistic appreciation who neglect and forget by moment the transience of time. Critical scholars in the world of literature can identify and seize this requirement, or do not see it at all. There are authors who do not necessarily write to please but to say things. Is not it how many great men pass their way without deigning to see the grace of the infinitely small, to whom it is enough to be only great in the eyes of his mother? The greats who often forget they were small before becoming... greats. As in the search for precious gems, it is the rarity and beauty of the texts that move an audience. Will you become diehard fans of my books ?

SYMBOLIC OF THE SAGA :
(...)

«Tewfiq Baali must be neutralized at the earliest, Madam, says Major General Noui, Supreme Head of the Central Prevention and Security, hammering the words in the telephone handset!

¿ But we have not yet been able to take possession of his diary, my general, replies Colonel Chadia Ayat, Head of the Prevention and Security Delegation of the 12th AC...

¿ Pay attention to you, colonel! Search all over!

¿ That would only serve to arouse his suspicions... I do not need to do it because one of my officers lives in the same cottage as him... He did not find anything...

¿ That's enough! Since your infiltration did not succeed, find another charge in the days that follow! Intelligence with the enemy for example! Since he frequents a foreigner!

¿ All right, my general! I will take care personally of this question!

¿ I do not need to call you for another time... I consider this file as on

Dettagli