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Christopher T. Keaveney
pubblicato da
Lexington Books
Using the framework of Edward Said's Orientalism, this work examines how Western rock and pop artistsparticularly during the age of album rock from the 1970s through the 1990sperpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.
Scrivi una recensione per "Western Rock Artists, Madame Butterfly, and the Allure of Japan"
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