Working the System

In Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 19491966, Qiliang He inquired into the making of the new citizenry in Mao-era China (19491976) by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals' subjectivities took shape in the cinematic arena under a new sociopolitical system after 1949. He suggests that a filmmaker's subjectivity was not fixed or stable but constantly in flux, requiring a host of "subjectivizing practices" to (re)shape and consolidate it. These filmmakers endeavored to reap maximal benefits from Mao's sociopolitical system and minimize the disadvantages that would make them victims under the system. In short, Qiliang He argues that the filmmakers not only worked under the socialist system imposed upon them but also worked the system in their best interests.

Qiliang He is a professor in the Department of History at Hong Kong Shue Yan University. He is the author of Newspapers and the Journalistic Public in Republican China: 1917 as a Significant Year of Journalism (2018), Feminism, Women's Agency, and Communication in Early Twentieth-Century China: The Case of the Huang-Lu Elopement (2018), and Gilded Voices: Economics, Politics, and Storytelling in the Yangzi Delta since 1949 (2012).

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