Storia e Critica letteraria

Rewriting Chekhov: a comparison of Mansfield's 'The Child-Who-Was-Tired' and Chekhov's 'Sleepy'

Christian Schlegel

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Beyond Archangel - The Archangel Theme in Mary Shelley's Frankenstein

Melanie Kirkham

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Gothic Fiction

Angela Wright

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The Cambridge Companion to Modernist Poetry

Lee M._Jenkins Alex_Davis

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Between Image and Identity

Karina A. Eileraas

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Irvine Welsh

Robert Morace

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Language and the Declining World in Chaucer, Dante, and Jean de Meun

John M. Fyler

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'The picture of Dorian Gray' and Gothicism

Marlissa Gerken

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Other Selves

Janice Fiamengo

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Rather Something - On 'nothing' in King Lear

Stefanie Klering

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Zadie Smith's 'White Teeth' - Irie as an example for 2nd generation immigrants' desperate search for their place in a multicultural society

Stefanie Brunn

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The status of metaphor in (de)constructing historical master-narratives in the novels of Julian Barnes and Graham Swift and Kazuo Ishiguro

Daria Przybyla

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(Post)structural notions of language and history in the novels of Julian Barnes

Daria Przybyla

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The Complete Idiot's Guide to the Ultimate Reading List

John Charles ,  Shelley Mosley

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About Aldous Huxley's 'Those Barren Leaves'

Anonym

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England's First Family of Writers

Julie A. Carlson

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Aspects of class and culture in E.M. Forsters 'Howards End' and Hanif Kureishis 'The Buddha of Suburbia'

Stephanie Geissler

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The Cambridge Companion to Shakespeare and Popular Culture

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Strange but True Facts About the Civil War

Patrick M. Reynolds

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The relationship between language and sexual domination in Aphra Behn's 'The Rover'

Maria Gottschall

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The concepts of love in William Butler Yeats's poetry

Stefan Hinterholzer

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William Butler Yeats's 'Adam's Curse'

Stefan Hinterholzer

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A Dictionary of Literary Symbols

Michael Ferber

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The Cambridge Companion to George Orwell

John_Rodden

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