Storia e Critica letteraria

Joseph Conrad and the Fiction of Autobiography

Edward Said

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Beckett at 100

Linda Ben-Zvi ,  Angela Moorjani

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The role and function of language and of non-verbal elements in Tristram Shandy

Reni Ernst

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The Argonautika

Apollonios Rhodios

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Analysis of the nature of Swift's satire in Gulliver's Travels - Targets, techniques and effectiveness

Reni Ernst

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What do you understand by the term melodrama? - Melodramatic components of Jane Eyre

Reni Ernst

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'The spectator and not the actor is the central focus of Brecht's stagecraft'

Reni Ernst

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Alexander Pope as satirist and commentator on his society

Reni Ernst

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He Had It Coming

Stacy Schneider

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This Is Not a President

Diane Rubenstein

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Emmett Till in Literary Memory and Imagination

Brian Norman ,  Donnie McMahand ,  Kathaleen E. Amende ...

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Anxieties of Empire and the Fiction of Intrigue

Yumna Siddiqi ,  Ph.D.

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The Buried Book

David Damrosch

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Migrant Revolutions

Valerie Kaussen

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Renaissance Figures of Speech

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Shifting Voices

Agatha Schwartz

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Just a Note to Say . . .

Florence Isaacs

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The Dorothy Dunnett Companion

Elspeth Morrison

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A Scream Goes Through the House

Arnold Weinstein

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Leave Me Alone, I'm Reading

Maureen Corrigan

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Shakespeare's Modern Collaborators

Lukas Erne

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The Art of Civilized Conversation

Margaret Shepherd

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When Words Matter Most

Robyn Freedman Spizman

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Recovering Your Story

Arnold Weinstein

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