Storia e Critica letteraria

Unsettling Partition

Jill Didur

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Understanding Humor in Japan

Jessica Milner Davis

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The Midwestern Pastoral

William Barillas

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The Great Gatsby - Characters, modern society and the end of a dream

Shiva Rezaeifard

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Female Voicelessness in Conrad and Welsh - in Heart of Darkness and Marabou Stork Nightmares

Jenny Roch

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'Late twentieth-century theory can be considered first and foremost as a reaction against the tenets of liberal humanism'

Jenny Roch

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Mary Queen of Scots Got Her Head Chopped Off - A Text for a Postcolonial Studies Curriculum?

Jenny Roch

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Seduction in Christopher Marlowe's 'Hero and Leander' and William Shakespeare's 'Venus and Adonis'

Stephanie Schnabel

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Paulina - witch, shrew or obedient wife?

Stephanie Schnabel

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The Cambridge Companion to John Donne

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Women in Anthony Swoffords Jarhead: a Marines Chronicle of the Gulf War and other Battles

Lisa-Andrea Glatz

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Janice Galloway's protagonists: Women in Foreign Parts discover that The Trick Is to Keep Breathing

Nadine Schneider

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Marriages and the alternatives in Jane Austens 'Pride and Prejudice'

Nicole Gast

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Museum Mediations

Barbara K. Fisher

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The Fiction of Julian Barnes

Professor Vanessa Guignery

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Pinter's 'The birthday party' and Wilde's 'The Importance of Being Earnest' - a comparison

Julia Pastak geb. Kupfer

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Overheard Voices

Ann Keniston

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Emma's 'Awakening' and its Timelessness

Jenny Roch

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Representations of Masculinity in Things Fall Apart and Wide Sargasso Sea

Jenny Roch

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Heart of Darkness

Daniel Forster

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Figuring Genre in Roman Satire

Catherine Keane

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The Bront?s (Authors in Context)

Patricia Ingham

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How Novels Think

Nancy Armstrong

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Always hard for me to get it right - The Different Versions of Peter Shaffer's Amadeus

Jasmin Ostermeyer

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